Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential.
Font Gambero is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW “Prasa” that appeared from May 1960 till December 1973 in Poland.
Rough monospace type with cowboy boots: Here is Justice! Initially designed in 2004, Justice has been totally rethought in 2017 for the visual identity of Ceinturama. For this new version the fixed-width principle has been used to turn this typeface into a kind of construction game. A series of decorative accessories (systems of borders, arrows and ornaments) have been developed in order to make typesetting more playful.
Designed from the outset to be as comfortable on screen, on paper as on wall, Justice has aesthetic qualities suitable for handmade signage. It’s your turn to play!
Please find the PDF type specimen/manual over there.
Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.
The BF Rotwang™ Pro is a contemporary new edition and re-design of an formerly design by Guido Schneider.
Named after the C.L. Rotwang, the inventor of the Mensch-Maschine from the film Metropolis (1925/1926), BF Rotwang plays with the character traits of high-contrast transitional serif typefaces and Didone-style typefaces.
BF Rotwang is a typeface characterized by balanced elegance. It is sensitive, sophisticated and self-confident, but unobtrusive. The heavy weights have the power and dynamic for strong headlines and exciting logotypes, the lighter cuts the elegance and lightness for use in continuous text. All letters and characters are a touch condensed, so the typeface looks compact and works space-saving.
The family comes with 7 weights plus matching Italics. Each font consists of more than 1.220 glyphs, featuring a wide range of alternate characters, SmallCpas and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more!
BF Rotwang™ Pro supports up to 200 Latin-based languages. Each of the 14 fonts contains more than 1.220 glyphs, featuring a wide range of alternate characters, small caps, figure sets, fractions, more than 35 ligatures, many currency symbols, special characters and other useful symbols. The style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.
Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila’s italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text.
Each style of the Aila family offers an extended character set specially designed for editorial design projects.
Qualion Text™ is a modern geometric sans serif typeface with humanist and calligraphic inspirations. It is a text family designed for excellent legibility.
Qualion Text™ is a sibling of Qualion™, geometric family with lots of swashes and ornaments. Letter shapes and proportions has been adjusted to fit paragraph text and small sizes:
- typeface is narrower now in order to fit more text in the design space
- larger stroke contrast
- pronounced ink traps and tapering
- elegant true italics made even more calligraphic
- adjusted spacing and kerning
- adjusted font weights
The main purpose of the family is clean and legible paragraph text, however it is very attractive choice for branding, headlines and display use, too. The italic styles as well as thin, bold and black upright styles have very strong character and look great in display sizes. Italics are very fluent, calligraphic, subtle and elegant, from the other side bold and black uprigths are very modern, powerful and unique thanks to the pronounced ink traps.
Qualion Text™ family consists of 20 styles - 10 weights with corresponding true italics. Both have extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, swashes, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly.
The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines.
Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.
Holden is a typeface family designed in 2018 for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli as a research in texture and extreme weight range.
Its curvy shapes, inspired by pointed brush aesthetics, are developed in six different weights, from the lightly contrasted thin to the fluid and rhythmic fat. The lightest weights are mostly designed for text usage, while the heavier weights work better at display sizes, where the extreme shapes and tight counter-spaces are better appreciated.
Holden aims to fill the space between display and text typeface, with a range of variants that allows maximum expression in display use and great legibility in long texts, on the web and at small size. It’s designed for editorial or food packaging use where a contrasting range of weights and variants is required to fight monotony while keeping branding consistent.
All Holden fonts include full open type features with stylistic alternates, small caps, discretionary ligatures, positional number forms, swash forms (in italics) and full language coverage for +70 languages using latin alphabet.
An array of extra decorative dingbats are included to complement your design with pointing manicules and fleurons (also called “horticultural dingbats” by Robert Bringhurst in The Elements of Typographic Style).
The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years.
M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.
The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.
Tzimmes is a tasty morsel for those who love tasty letters. The fleshy serifs combined with the subtle references to calligraphy create a distinctive character that will turn every text into a feast for the eyes. The family consists of 22 weights including true italics. This will allow you to freely compose even the most demanding projects. Book? Magazine? Logotype? Everything available à la carte!
Light and bold weights, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides good legibility in long texts. Tzimmes covers all latin languages and cyrillic. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies. Bon appetite!
Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported.
Open Type features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Galatea comes in three widths – each featuring eight weights and corresponding italics.
Hefring Slab is a geometric Slab Serif type family. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. The family consists of 20 fonts: 5 weights in 4 widths, each in Roman and Italic. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab is robust, clear and functional. Opentype features include alternative characters, arrows, tabular figures, ligatures and fractions.
Winter Is Coming is a new playful font family which is inspired by hand lettering at the winter season in 1950-1960. Winter is coming contains 5 font styles that use open type features such as stylistic alternate, stylistic set, contextual alternate, ornaments and ligatures. This package also contains a bonus graphic to help you make winter design more stunning!
Winter is Coming best uses for headings, invitation, Logo type, quotes, apparel design, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc
Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes.
Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.