Charlotte Mobourne

Calima is a humanist sans serif family available in six weights.
Its design roadmap was quite simple: try to bring the dynamism and spontaneity of italics to a stable sans serif.
The result is a fresh and spirited typeface with clean lines, equally suited for short text and display uses.
The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features : oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves it’s characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

Hi. Presenting a simple and elegant font named “Goodwine” includes lots of characters with many languages support (West European, Cyrillic, etc...).

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash.

Here’s what’s included;

Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts.

Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation.

Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys.

Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Hungry Beast is a Victorian theme font. With another old fashioned feel on it, because we were very passionate with that kind of typeface style. This typeface will be suitable for a lot of display purposes like you can see in our previews for the work samples. And don't forget about the Layer system, because who hates layers typeface? We also give you the ornaments for FREE. So let’s try this Beast asap.

An elegant, stylish and easy-to-use typeface.

Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts.

The font is based on the “Queulat” design yet features a higher contrast, between thick and thin strokes, which makes it look simple and suitable for a wider range of uses. Due to an abrupt contrast in stroke weight, Cagliari is more noticeable on terminals and teardrop terminals compared to Queulat. The Neogrotesk-style shapes add a minimalist touch to the font with thoughtful attention to detail.

Cagliari is the ideal choice for fashion magazines, Italian-author books and logotypes for prestigious brands.

Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work.

The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages.

A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages.

BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

Kometa Sans is a contemporary grotesk with a certain personality. She has a steady geometric skeleton, but its appearance is rather humanistic. The precise details of the artwork, the carefully drawn true italics, the six types of numerals, the variety of alternates, the broad range of open-type features and the extensive glyph set can meet most of the contemporary typographer’s demands for a neutral, but not boring type family for both long text and display use. Among the distinctive qualities of Kometa are also the forms of ligatures (both default and discretionary). They follow the natural constructive transitions between oval parts and stems, which is an advantage to mark, at least for designers who respect the beauty of clean forms.

Note the specially designed Kometa Unicase sub-family, substantially enough to exist as a separate typeface. Its elegant and expressive letterforms are boosting further the power to create outstanding design work. Kometa Unicase has original and playful, yet reasonable approach to letterforms variety.

Kometa has a very broad usability range – from logotypes and poster designs to corporate identities and complex editorial projects. The contemporary Cyrillics of Kometa allows easily completion of graphically consistent multilingual corporate and artistic design projects.

Designed by Kiril Zlatkov and Vassil Kateliev.

Bega is a simplified sans serif typeface. Formal reduction plays a strong role in its design. This is most visible in its ‘spurlessness.’ The visible strokes (or spurs) have been eliminated from the letterforms that would typically feature them. The lack of spurs in Bega is most-clearly visible when you look at the top-left corners of letters like ‘m’, ‘n’, and ‘r’. The Bega family includes eight weights, which range from Thin through Black. Each weight has two fonts on offer: An upright font, and an italic. Bega’s italics are obliques; their letterforms are slanted. The strokes of Bega’s letterforms all appear to be monolinear; that doesn’t mean that Bega is without contrast, however. Thanks to the family’s large number of weights – eight really is a lot – you can combine two or more of them with each other to create headlines that exhibit quite a bit of contrast! Each of Bega’s fonts includes a full range of numerators and denominators, to use when typesetting fractions, etc. The font’s numerals are proportional lining figures; these have the same height as Bega’s uppercase letters. The lowercase letters’ ascenders are tall, and they rise up above the tops of the capital letters and numerals. Bega’s friendly look makes it an ideal choice for use in corporate communication design. The typeface was designed by Sabina Chipară and Diana Ovezea.

Hoodie was born out of a love for retro Americana and vintage signs but designed with a contemporary fresh twist that makes the font a true attention seeker.

The font is made up of 7 weights, plus 3 fun specials (dots, lines and shade) that create a multitude of uses and options. From logos to packaging and everything in between, Hoodie will be an attention grabber in all types of layouts and placements.

Hoodie has features such as extensive language support, case sensitive characters, ligatures and number options (Denominator, Numerator, Superior and Inferiors), making it a truly versatile font.

Introducing Haarlem Deco, all-caps sans serif typeface with an art-deco touch. A mix from the old Euro-American signage/advertising letters and modern clean sans serif, carefully mousecrafted to bring you the genuine feel of the era. If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs (alternate and multilingual characters included), now it’s your time to go crazy and explore the uniqueness of this typeface!

CONTENTS:

- Upper and lowercase,

- Numeral and punctuations,

- Multilingual characters,

- Alternate characters (OpenType features),

- Two formats; .otf and .ttf

- Lots of fun and joy!

THANKS, AND ENJOY HAARLEM DECO!

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique.

This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute. Just click on our foundry name to see it!

You could follow us on our Instagram: instagram.com/sc.type
We hope you will enjoy our work. Merci beaucoup!